Proj_MS_WandaVision_000
Proj_MS_WandaVision_001
Proj_MS_WandaVision_002
Proj_MS_WandaVision_003
Proj_MS_WandaVision_004
Proj_MS_WandaVision_005
Proj_MS_WandaVision_006
Proj_MS_WandaVision_007
Proj_MS_WandaVision_008

WandaVision

It's always fun to revisit the MCU, and to try to add in some original style and flavor to the high tech screens that help move the story forward. Wandavision provided a unique opportunity to craft contemporary and cool moments to highlight important story points along the way. 

CREDITS

Design, and Art Direction / Kristoffer Brady

Executive Producer / Sean Cushing
VFX Supervisor / Stephen Lawes

Produced with /  Cantina


Proj_DW_FFS_title_000
Proj_DW_FFS_001
Proj_DW_FFS_002
Proj_DW_FFS_003
Proj_DW_FFS_004
Proj_DW_FFS_005
Proj_DW_FFS_006
Proj_DW_FFS_007
Proj_DW_FFS_008
Proj_DW_FFS_009
Proj_DW_FFS_010
Proj_DW_FFS_011
Proj_DW_FFS_012
Proj_DW_FFS_013
Proj_DW_FFS_014

Fast & Furious Spy Racers

I was thrilled to be invited to contribute to Netflix's Fast & Furious Spy Racers animated series. The brief called for a colorful energetic approach and I had a lot of fun putting these together with the rest of the team.

CREDITS

Design / Kristoffer Brady

Art Director / Annis Naeem

Produced with /  Dreamworks


Proj_MS_CapMarv_title_000
Proj_MS_CapMarv_001
Proj_MS_CapMarv_002
Proj_MS_CapMarv_003
Proj_MS_CapMarv_004
Proj_MS_CapMarv_005

Captain Marvel

Once again I had a blast working alongside the crew at Cantina, this time for Captain Marvel. I was tasked with creating the look of the Skrull mindfracking device used early in the film. The shape language needed to be organic and flowing, and I took a lot of inspiration from cell division and plant life. 

CREDITS

Design, and Art Direction / Kristoffer Brady

Executive Producer / Sean Cushing
Creative Director / Stephen Lawes
Design Supervisor / Carly Cerquone

Produced with /  Cantina

Proj_W_Aquaman_title_000
Proj_W_Aquaman_001
Proj_W_Aquaman_002
Proj_W_Aquaman_003
Proj_W_Aquaman_004
Proj_W_Aquaman_006
Proj_W_Aquaman_005
Proj_W_Aquaman_007
Proj_W_Aquaman_008
Proj_W_Aquaman_009
Proj_W_Aquaman_010
Proj_W_Aquaman_011

Aquaman

I had the privilege of coming along to work on early UI and HUD concepts for DC's Aquaman. It was a blast bridging the functional with the organic, and we heavily referenced aquatic fauna, bio-luminescent creatures and underwater life to get the right look and feel.

CREDITS

Design, and Art Direction / Kristoffer Brady

Executive Producer / Sean Cushing
Creative Director / Stephen Lawes
Design Supervisor / Alan Torres

Produced with /  Cantina

MS_Black-Panther_title_000
MS_Black-Panther_008
MS_Black-Panther_007
MS_Black-Panther_021
MS_Black-Panther_001
MS_Black-Panther_002
MS_Black-Panther_003
MS_Black-Panther_004
MS_Black-Panther_005
MS_Black-Panther_006
MS_Black-Panther_009
MS_Black-Panther_010
MS_Black-Panther_011
MS_Black-Panther_012
MS_Black-Panther_013
MS_Black-Panther_015
MS_Black-Panther_018
MS_Black-Panther_016
MS_Black-Panther_017
MS_Black-Panther_019
MS_Black-Panther_020

Black Panther

Joining my friends at Cantina Creative I was tasked to create HUD elements for the Royal Talon Fighter, piloted by Okoye in the early part of the film. Functions ranged from ship controls, steering and idle states to the more active weapon systems used by colonel Ross later in the story.

The designs needed to fit into the vibrant palette of styles and colors that had already been set in the Black Panther world, and I was thrilled to get a chance to contribute to it. For the windshield HUD, I wanted the elements to feel primal, and mimic the wingspan of a bird of prey. The steering elements were heavily influenced by African masks and jewelry patterns, to complement the beads present in the other Wakanda’n tech. The gold was a natural choice not just for royalty, buy also as an element present in much of Okoye’s suit, and finally, shining like the golden feathers of a great bird.

The end results turned out amazing, and I am honored to have been a part of this production. Thanks to everyone involved, and all the people at Cantina for their support and contributions. Wakanda forever!

CREDITS

Design, and Art Direction / Kristoffer Brady

Executive Producer / Sean Cushing
Creative Director / Stephen Lawes
VFX Supervisor / Alan Torres

Produced with /  Cantina

Proj_D_Gunheart_title_000
Proj_D_Gunheart_001
Proj_D_Gunheart_004
Proj_D_Gunheart_003
Proj_D_Gunheart_005
Proj_D_Gunheart_002
Proj_D_Gunheart_007
Proj_D_Gunheart_006
Proj_D_Gunheart_008
Proj_D_Gunheart_009
Proj_D_Gunheart_014
Proj_D_Gunheart_011
Proj_D_Gunheart_016
Proj_D_Gunheart_012
Proj_D_Gunheart_010
Proj_D_Gunheart_015
Proj_D_Gunheart_018
Proj_D_Gunheart_019
Proj_D_Gunheart_020
Proj_D_Gunheart_022
Proj_D_Gunheart_021
Proj_D_Gunheart_023
Proj_D_Gunheart_024

Gunheart

For Drifter VR's first person shooter "Gunheart", I came on board to design the HUD UI, graphics and weapon reticles. Defining the visual language for all the ui elements presented a unique challenge, particularly in VR. The usual amount of detail needs to be a lot more subdued, favoring bolder shapes and strong compositions. 

In addition, the humorous style of Gunheart lent itself to interesting color choices and sillouhettes. It was a fun task finding the balance of designing for playability while maintaining a scifi feel without losing the attitude and tone of the world of Gunheart.

CREDITS

Design, and Art Direction / Kristoffer Brady

Produced with /  Drifter VR

Proj_R_WHTM_ui_title_000
Proj_R_WHTM_ui_001
Proj_R_WHTM_ui_004
Proj_R_WHTM_ui_013
Proj_R_WHTM_ui_010
Proj_R_WHTM_ui_014
Proj_R_WHTM_ui_016
Proj_R_WHTM_ui_024
Proj_R_WHTM_ui_025
Proj_R_WHTM_ui_031
Proj_R_WHTM_ui_032
Proj_R_WHTM_ui_030
Proj_R_WHTM_ui_035
Proj_R_WHTM_ui_028
Proj_R_WHTM_ui_040
Proj_R_WHTM_ui_043
Proj_R_WHTM_film_001
Proj_R_WHTM_film_007
Proj_R_WHTM_film_008
Proj_R_WHTM_film_013
Proj_R_WHTM_film_020
Proj_R_WHTM_film_030
Proj_R_WHTM_film_034
Proj_R_WHTM_film_026

What Happened to Monday

Between 2015 and 2016 I spent about a year creating user interfaces and interactions for the feature film “What Happened to Monday”.

The list was long, and included defining the design and art direction for a suite of tech that spanned a command console, screens, bracelets, tablets and mirrors. Alongside VFX Supervisor Bryan Jones and a talented team of artists, we produced 150 shots.

I’m so grateful for the having had the opportunity to help bring Tommy Wirkola’s vision to the screen. Congrats to the whole production and everyone involved.

CREDITS

Design, Motion and Art Direction / Kristoffer Brady

VFX Supervisor / Bryan Jones / Villains Wear Black
Produced with /  Raffaella Productions

Proj_O_Genisys_title_000
Proj_O_Genisys_001
Proj_O_Genisys_003
Proj_O_Genisys_007
Proj_O_Genisys_006
Proj_O_Genisys_004
Proj_O_Genisys_005
Proj_O_Genisys_009
Proj_O_Genisys_010
Proj_O_Genisys_008
Proj_O_Genisys_011
Proj_O_Genisys_012
Proj_O_Genisys_014
Proj_O_Genisys_015
Proj_O_Genisys_016
Proj_O_Genisys_017
Proj_O_Genisys_018

Terminator Genisys

For this installment in the Terminator series, I was tasked with designing the FPV display of the legacy T-800 and created a number of concepts to guide the art department for the look and feel of the user interface design.

CREDITS

Design, and Art Direction / Kristoffer Brady

VFX Supervisor / Bryan Jones
Produced with /  One of Us

Proj_P_Simian_title_000
Proj_P_Simian_001
Proj_P_Simian_004
Proj_P_Simian_002
Proj_P_Simian_005
Proj_P_Simian_006
Proj_P_Simian_003
Proj_P_Simian_007
Proj_P_Simian_009
Proj_P_Simian_008
Proj_P_Simian_010
Proj_P_Simian_011
Proj_P_Simian_012
Proj_P_Simian_015
Proj_P_Simian_013
Proj_P_Simian_014

Simian

What started out as a short film concept about an interdimensional primate searching the universe for spiritual guidance through the harvesting of psychotropic plants, became a design exercise in crafting his cockpit ui, navigational systems and plant tracking.

CREDITS

Design / Kristoffer Brady

Personal Project